#1
Posted 25 July 2012 - 10:30 AM
After a long time something I’ve enjoyed at the NT ...
Broadway has been very good to me. But then, I've been very good to broadway.
#2
Posted 25 July 2012 - 11:30 AM
Would The Doctor's Dilemma (though I won't have a chance of seeing it) be a better play for a Bernard Shaw beginner. Are there any other plays (apart from Pygmalion) that would help, perhaps somthing pre-WWI since I have studied Edwardian Britain recently and I appreciate that Bernard Shaw refers to issues of his time
http://shallicompare...blogspot.co.uk/
#3
Posted 25 July 2012 - 12:36 PM
I really like Shaw and want to see much more
Broadway has been very good to me. But then, I've been very good to broadway.
#4
Posted 25 July 2012 - 02:00 PM
#5
Posted 25 July 2012 - 03:37 PM
#6
Posted 25 July 2012 - 04:16 PM
#7
Posted 25 July 2012 - 04:57 PM
Honoured Guest, on 25 July 2012 - 04:16 PM, said:
It was done at Chichester a couple of years ago with Felicity Kendall as a touring production during the winter season. I didn't see it but those who did said they felt that the production "lacked something."
BTW fringefan I'd be interested in the "Heartbreak House" ticket if it is for a matinee performance.
#8
Posted 25 July 2012 - 05:08 PM
Lynette, on 25 July 2012 - 03:37 PM, said:
I must say for some reason I like the musical because of the songs rather than the story it is based upon
http://shallicompare...blogspot.co.uk/
#9
Posted 25 July 2012 - 05:29 PM
Yes, Danny Boyle was not on hand to update the immediacy of the story by having gelatinous cocoons, 8 minutes of wordlessness and trains thundering towards the audience. He's too busy modernising the Olympic opening ceremony. But that wouldn't be right for Shaw anyway. He's all about words.
I would agree that attempting to save a woman from her "scoundrel" of a husband may indeed feel like a dated concept, but this play is much more than that. It's about how figures of authority and influence have carte blanche to make or break other people's lives, with little to no accountability. Doctors today play God every day when they determine who does and doesn't get the rationed resources of the NHS, and the portrait of doctors in this play is approached with mischievous humour. Apart from the soulful David Calder, as the moral conscience of the piece, and Aden Gillett, as the protagonist Doctor with important decisions to make, the other doctors all seem Pythonesque, a ministry of silly quacks, if you will.
For me, the humour works. Also, the moral decisions about how to weigh one life against another and the extent to which personal prejudices can influence the outcome are interesting.
But more than anything, this is a cast of mostly older men acting brilliantly. Aden Gillett unthreads the convoluted wordiness with ease, making the plot threads ever easy to follow, and the cerebral action involving. As the only man with a clear head advising Gillett's Sir Colenso Ridgeon in his difficult decisions, and guiding his conscience, David Calder is excellent. And so too is Malcolm Sinclair, as a quack doctor who doesn't know he's a quack, who makes the play's funniest speech.
I really liked this. 4 STARS.
#10
Posted 25 July 2012 - 06:28 PM
Emsworthian, on 25 July 2012 - 04:57 PM, said:
BTW fringefan I'd be interested in the "Heartbreak House" ticket if it is for a matinee performance.
Indeed it is, Emsworthian, for Friday 3 August and if you can do that date you'd be very welcome, but I have tried to send you a personal message and the system says you cannot receive these. If you or anyone else can help, I'd be grateful!
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