Terri Paddock is the Editorial Director of Whatsonstage.com. She saw 22 shows – and counting – in three-and-a-half days during her trip to Edinburgh at the start of the Fringe festival.
As I previously blogged, I’m still catching up this week with some day-by-day thoughts on the shows I managed to see (and a few I didn’t) while in Edinburgh.
Day 2
Does a press launch count as a show towards my Edinburgh tally? Well, let’s settle on showcase and chalk it up anyway. On Saturday (2 August), I almost miss the Pleasance press launch as I’m running late thanks to PC problems. I arrive at the Grand about half-way through, at the same time as Observer diarist Veronica Lee and we slip in at the back. We’ve missed the extract from Steven Berkoff’s ON THE WATERFRONT – which I’ll be seeing after lunch anyway – and a series of stand-ups, but we’re in time for Pleasance director Anthony Alderson’s heartfelt speech, Philip Escoffey’s mind-reading (which encourages me to book for his show the next day), an inaudible scene from Shams’ Black Stuff (“one to miss”, whispers Veronica) and some amusing compering by comedian Stephen K Amos. The finale is a performance from the The Aluminium Show that gives me Blue Man Group flashbacks. It’s a shiny, visual treat. Dancing slinkies (as opposed to slinky dancers) ripple their coils to a thumping beat, metal snakes inflate with air until they reach their full length (“it’s like watching an erection”, I whisper back to Veronica) and rocket over the heads of the audience. I’m sure there’s an ejaculation joke in there, but I’ll leave it to your imagination. Continue reading →