A Life in Three Acts (part one)

August 30, 2009

bourne_ravenhill.jpgTraverse
18-30 Aug, times vary

“As the old prostitute said: it’s not the work, it’s the stairs” quips Bette Bourne as he takes his seat opposite interviewer Mark Ravenhill and proceeds to divulge an extraordinary personal history. Read more

Bane

August 30, 2009

banepleasance.jpgPleasance Dome
5-31 Aug, 3.30pm

“The name’s Bane, Bruce Bane. I’m a hired hand that gets the job done. I don’t waste time and I take no prisoners…”

So begins Bane, the one man film noir pastiche that’s got both movie geeks and theatre buffs excited over at the Pleasance Dome. The show shouldn’t really work and certainly not on this reviewer, whose film tastes are Clueless in more ways than one. But Bane has been one of the happiest surprises of my Fringe experience. Read more

Scots Mack & Bissett Win Stage Acting Awards

August 30, 2009

The results of this year’s Stage Awards for Acting Excellence at the Edinburgh Fringe have been announced, with homegrown talent taking the prizes in the top two categories.

Scottish performers Billy Mack and Cora Bissett took the Best Actor and Actress awards, Mack for The Sound of My Voice, a Glasgow Citizens production at Assembly, and Bissett for Midsummer (A Play With Songs) at the Traverse (one of the venue’s seven nominations).

Chair of the awards William McEvoy said this year’s nominations proved that “storytelling is back with a vengeance”, adding that he felt 2009 has been an “extraordinary year with numerous outstanding shows and performances”. Nearly 350 productions were considered for the awards, which are judged each year by The Stage newspaper’s senior reviewing team.

Other winners this year were Belfast-based Green Shoot Productions, who won Best Ensemble for Chronicles of Long Kesh at Assembly, and George Mann, who won Best Solo Performer for his physical retelling of Homer’s Odyssey in Theatre ad Infinitum’s production at the Pleasance Dome.


THE STAGE AWARDS FOR ACTING EXCELLENCE WINNERS

BEST ACTOR

  • Billy Mack for The Sound of My Voice (Assembly)
  • Joe Armstrong for Orphans (Traverse)
  • Simon Ginty for Precious Little Talent (Bedlam)
  • Neil Grainger for Crush (Gilded Balloon Teviot)
  • Matthew Pidgeon for Midsummer (A Play With Songs) (Traverse)

    BEST ACTRESS

  • Cora Bissett for Midsummer (A Play With Songs) (Traverse)
  • Claire Dargo for Crush (Underbelly)
  • Anna Francolini for The Prime of Miss Jean Brodie (Assembly)
  • Emma Hiddleston for Precious Little Talent (Bedlam)
  • Anita Reeves for Little Gem (Traverse)
  • Gail Watson for Barflies (Traverse)

    BEST ENSEMBLE

  • Green Shoot Productions for Chronicles of Long Kesh (Assembly)
  • Camden People’s Theatre for Icarus 2.0 (Pleasance Courtyard)
  • DogOrange for Ward No 6 (C)
  • Grid Iron for Barflies (Traverse)
  • Ontroerend Goed and Richard Jordan Productions Ltd for Internal (Traverse)
  • Stellar Quines and Assembly for The Girls of Slender Means (Assembly)

    BEST SOLO PERFORMER

  • George Mann for Odyssey (Pleasance)
  • Joe Bone for Bane (Pleasance)
  • Laurie Brown for Up (The Vault)
  • David Calvitto for The Event (Assembly)
  • Lucy Ellinson for Land Without Words (Just the Tonic @The Caves)
  • Nicola Haydn for Janis (Gilded Balloon)
  • Caroline Horton for Almost 10 (Pleasance)

  • Sammy J in the Forest of Dreams

    August 30, 2009

    sammyj.jpgUnderbelly
    6-31 Aug, 10.15pm

    Sammy J’s life is falling to bits and the films of his idol Walt Disney have nothing to offer by way of help or guidance. He expresses his sense of deep loss in an opening number entitled “Fuck you Disney”, which draws our attention to the fact that Walt was a Nazi; then he finds himself sucked through a portal to an enchanted forest where he, among other things, stages a coup, steals his best friend’s girl, and does some extremely questionable drawings of the King of the forest enjoying a squirrel. Read more

    Ward No 6

    August 30, 2009

    wardno6_aug09.jpgC Cubed
    7-31 Aug, 4.10pm
    star

    Having recently formed from graduates of Drama Studio London, DogOrange presents an adaptation of Chekhov’s short story Ward No 6.

    We walk in to find four lunatics in filthy hospital gowns, each one with their own tics and torments. After some kind of occult ritual, one of them is called upon to play the role of Dr Ragin, and the rest of the play tells his story. An ambitious and foolhardy psychiatrist, Ragin becomes fascinated by Gromov, one of the patients on Ward 6. Read more

    The Penny Dreadfuls Present … The Never Man

    August 30, 2009

    neverman_aug09.jpgPleasance Courtyard
    7-31 Aug, 8.30pm

    star

    Having made their name at the fringe with sketches in the Victorian style, comic trio The Penny Dreadfuls have changed tack this year, presenting a James Bond-style thriller set on the fictional Beef Island.

    Evil genius Dr Lovable is using the island’s theme park as cover for a dastardly operation to rule the world with beef, and the only hope of stopping him comes in the form of an ex-policeman, dismissed for massacring owls, and an eight year-old giant. Read more

    Eurotrash

    August 30, 2009

    eurotrash_aug09.jpgGilded Balloon
    10-31 Aug, 5.30pm

    star

    Sirqus Alfon’s production, like many Fringe shows, defies categorization. Melding acrobatics, slapstick physical humour, along with hyperrealist dance tunes, and the technological lingo usually reserved for computer game aficionados, Eurotrash is a bustling and joyous feast for the senses. Read more

    Party

    August 30, 2009

    party_aug09.jpgAssembly Rooms, George Street
    7-31 Aug, 2.25pm

    star

    Political satire is one of those strange breeds of narrative work, which audiences often approach with a degree of caution. Luckily for us, former if.comedy winner Tom Basden has penned an accessible, humour-filled take on the genre that manages to reveal a nuanced argument about political hypocrisy, whilst also maintaining an effortless sketch show-like experience. Read more

    The Hotel

    August 30, 2009

    thehotel_aug09.jpgAssembly @ George Street
    5-31 Aug, 4.00pm

    star

    This sublime example of experiential theatre is one of the Fringe’s best-conceived and certainly funniest offerings this year. It’s a logistically impressive undertaking which, whilst providing a wholly personalised and random experience, also builds to a satisfying denouement. Read more

    Weepie

    August 30, 2009

    weepie_aug09.jpgC soco
    18-31 Aug, 9.25pm

    star

    Chris Goode is a dramatist I generally admire, but Weepie, first seen in 1996, is nowhere near his strongest work. It’s a play in which the central issue is muddled by obscurity, where ambiguity and abstraction create befuddlement and a deep sense of having missed something. Read more

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