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Michael Coveney
By Michael Coveney

Hampstead's false economy

Date: 3 May 2012

The Royal Court has this week two new plays opening written by dramatists - Bola Agbaje and Mike Bartlett - who partly cut their teeth with Hampstead Theatre's Heat and Light company, the producing wing of the theatre's creative learning department.

And now we learn that Hampstead is closing that department, blaming the cuts to its funding by the local Camden council. Ironically, of course, Hampstead itself is about to produce a Mike Bartlett play of its own, his adaptation of the film Chariots of Fire ("The British are coming," its writer, Colin Welland, famously, and fatuously, declared at the Oscar ceremony).

I think it's disingenuous, though, of Hampstead director Ed Hall to shift the blame for the Heat and Light closure onto Camden. The amount of money involved is comparatively small - £74,000 annually plus a newly added £5,000 rates bill; it's clear from the last Heat and Light show I saw that Hall doesn't place its work all that highly in his priorities.

Not surprisingly, Camden feel that Hampstead Theatre has lost touch with its local community, an indisputable fact of life - I live in the area - over the past ten years or so, but one which was mitigated by the excellence of Heat and Light during the Anthony Clark years. 

The chief tactic Hall needed to employ in order to win  back the council's trust and support was the maintenance and improvement of the creative learning department. Instead, he's aiming for West End glory while also running his Propeller touring company which has a slimmed down, cut-price version for schools all of its own.

The rates used to be waived by Camden council for Hampstead, but the new charge, albeit very small, of £5,000, is a much more significant indicator of the fall-out than is the cutting of the grant. We have yet to see Chariots of Fire, but it's almost certain that Miriam Buether's drastic re-design of the theatre - which will be transformed into a sports stadium - will have cost an absolute fortune, probably enough to run Heat and Light for three years.

So while I think Hall is right to deplore the Camden cuts, he should not blame them for closing his creative learning department. That's his decision alone, and one he could have easily avoided by making different choices.

Meanwhile, Nicholas Hytner confirmed in an Evening Standard interview yesterday that he will be departing the National once the Olympics, the realignment and repositioning of the building on the South Bank, and the National's 50th anniversary in October 2013 are all out of the way.

He also has no intention of ever running another institution, big or large, but equally doesn't fancy the freelance life because he likes producing too much. Interestingly, he told Nick Curtis that actors are much better off working at the National than making films that are simply not worth doing:

"A single weekend's release in a handful of cinemas in London, with a dim afterlife on DVD... probably, numerically, you are not reaching as wide an audience as doing a show in the Olivier. And certainly in terms of the impact you can have as an actor, you are far better off here."

As a writer, too, if the fate of Heat and Light is anything to go by. But it's not just another Bola Agbaje or Mike Bartlett who might struggle to make an impact without such a start-up.

The real point of Heat and Light was the sheer joy and energy of young actors finding their feet and their voices in a professional environment untainted by commercial imperatives. The crude truth, though, is that even at Hampstead, those imperatives, and the aspirations behind them, hold ultimate sway.

- by Michael Coveney


Any opinions expressed above do not represent the view of Whatsonstage.com nor any of its staff or contributors beyond the bylined author.



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Review Round-up: Chariots of Fire takes the silver - 24th May 2012 roundup
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Will Hampstead's Chariots of Fire sprint into Gielgud? - 17th Apr 2012 gossip
Williams, Grace & McArdle join cast for Hampstead's Chariots of Fire - 3rd Apr 2012 news
Black Watch's Lowden plays Eric Liddell in Chariots of Fire - 9th Mar 2012 news
Hall marks a tight spot - 8th Feb 2012 blog
Hampstead stages Chariots of Fire ahead of Olympics - 30th Jan 2012 news


Reader Comments


CommentDate
I have worked with Hampstead Theatre's education and outreach team since 1999 when I first qualified as a teacher. I have watched in absolute wonder at the breadth and scale of the work they do with young people and the incredible impact this has had. In attainment and economic terms it is hard to measure. However, I have seen students with incredible talent, developed as writers, actors and designers. I have watched them extend the gifted and talented, nurture the socially excluded, support the behaviourally challenging and develop those with special educational need. They have had an impact on thousands of young people. The scale of this is difficult to imagine. Think of this, every time I pop into the theatre, despite the fact that I have not worked in north London for four years, I bump into ex students. They are either attending the Heat and Light company, are leading a workshop, are ushering or behind the bar or are acting on stage. They may even just be sitting in the theatre having a drink. They feel that they belong there. They feel that this is their space. These aren't your average theatre going audience. They will be. They are the economic future of places like Hampstead Theatre and to think that it is too costly to engage these young people is at best arrogant and at worst goes against everything that a publicly funded building should be doing. It's bigger than that though. We are slowly dismantling the buildings, organisations, societies and clubs that enable us to give the young and the socially excluded a space, an opportunity and a voice and it really scares me that this is being met with a muttering rather than a roar. - Drama Teacher

30 Jun 12

What you completely fail to realise is that the money put up for Chariots could well be from external sources, NOT from a budget including the Heat&Light allowance. Yes, a creative learning department is a wonderful asset to a theatre, but it is a luxury that can no longer be afforded with these damn cuts. Surely the purpose of a theatre is to put on shows? If they can run social initiatives too, that's great. The blame lies with Camden, no Hall, who is dedicated to producing plays - as is appropriate for such an establishment. - theatregoer

23 May 12

Great article. Heat&Light changed the course of my career and it's terrible that others won't get to experience that. When I think of all the people I know who've been part of the company who are now out there making great stuff, it seems like a terrible decision. The effects of this will be felt considerably in New Writing for years to come. - Anon

07 May 12

Thank god you said this about Hampstead. Isn't developing new writers the entire remit of Hampstead Theatre? Shame on you Ed Hall. - Anon

04 May 12

thankyou for saying this. It needed to be said and should be widely read. - anon

03 May 12

hear hear! - Jonnie RIordan

03 May 12


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