 | | By Morgan and West | | |
Staring at Street PerformersDate: 22 August 2010 Good morning magic fans,
The peeling soles on my shoes and the large array of takeaway containers strewn over the room suggest the the Fringe is more than half way through, so what better time to turn our attention to those people that really make the Fringe what it is, without ever being mentioned in the guides, listings or reviews.
It is all but impossible to walk down the mile without encountering a large stationary crowd intently staring at one individual, who happens to be shouting at them and waving their arms a lot. I refer, of course, to the many street performers that fill Edinburgh's streets, although the description also fits the walking tours that seem to spring up out of nowhere...
Street performance comes in many shapes and sizes, from the living statues atop concrete bollards, subtly tipping their hats to the mile photographers, to the jugglers and circus artists, surrounded by hundreds of people at a time, defying death and gravity with well rehearsed aplomb. You'll see magicians, dancers, balloon modelers, musicians and all manner of "speciality" acts doing their thing in order to earn their living. Some of these performers have been working these pitches for longer than Bo Burnham and Daniel Sloss have been alive. Some have travelled from the other side of the world, 6ft unicycle in tow, just to perform at the Fringe. They are the true veterans of the festival, returning day after day, year after year, bringing their show right to the feet of the public.
So next time you are walking down the mile trying to look like you are to busy to accept flyers, stop to watch some of the acts at their pitches. You'll see some masters of their craft, working the crowd with talent and panache, giving a fair better performance than plenty of shows on at this year's festival and asking for a fraction of the cost.
And remember, this is how they make their living. So chuck them a couple of quid. You'll have spent more on less this month.
All the best,
Morgan and West
www.morganandwest.co.uk Morgan & West: Time Travelling Magicians, Gilded Balloon, 15:45, 4th - 29th Aug Twitter: @WestMagic @MorganMagic - by Morgan and West Any opinions expressed above do not represent the view of Whatsonstage.com nor any of its staff or contributors beyond the bylined author.
Related ContentBack to Edinburgh Homepage

|
|
Free Newsletter
|
Subscribe to our free newsletter
|
|
Featured Editor's Picks
 | ATG acquires Broadway's largest theatre The Foxwoods, home of Spider-Man In another significant step for transatlantic theatre relations, the UK’s biggest theatre ... |
|  | Donmar stages Nick Payne premiere, Wesker's Roots & Tom Hiddleston in Coriolanus The Donmar Warehouse has announced its new season, which features the premiere of Nick Payne's new p... |
|  | 1st Night Photos: Strictly stars party at Relatively Speaking first night Strictly stars Kimberley Walsh, Denise Van Outen and Artem Chigvintsev were among those celebrating ... |
|  | Matilda on Broadway wins five Drama Desk Awards The Broadway transfer of Matilda The Musical has won five gongs at the 58th Annual Drama Desk Awards... |
|  | Pulitzer winner Ayad Akhtar: Islam is 'ripe territory' for drama Ayad Akhtar's play Disgraced, which won the 2013 Pulitzer Prize for Drama, receives its UK premiere ... |
|  | Michael Coveney: New York honours Matilda with five big awards First blood in the New York awards contest went to Matilda last night, as the show walked off with... |
|  | Opening: Relatively Speaking, Southwark Playhouse's Tanzi Libre & NT Shed's Bullet Catch Among this week's major London theatre openings, in the West End and further afield, are Relatively ... |
|  | Young Vic's award-winning Doll's House transfers to West End Carrie Cracknell's critically acclaimed Young Vic production of A Doll's House, using an adaptatio... |
|  | Let It Be extends booking at Savoy until Jan 2014 Let It Be, the concert show based on the music of The Beatles, has extended its run at the Savoy... |
|  | Ten of the Best: Theatre 'flops' ripe for reinvention Defining a theatre 'flop' is no straightforward task. A general rule of thumb could be that it mak... |
|
|