Reviews

The Snowman (Birmingham)

As The Snowman returns home to Birmingham to mark its 20th anniversary, Annette Nuttall gives the show a welcoming review

The Snowman
The Snowman
© Birmingham Repertory Theatre

Originally created by the Birmingham Repertory Theatre in 1994, the family favourite, The Snowman, returns to celebrate its 20th Anniversary back at it's home in Birmingham.

This production, which has been seen in many countries, tells the story of a boy and his adventures with his snowman, who magically comes to life. We follow James as he plays in the snow and builds a snowman, the first of many magical moments when a ball of snow turns into a moving snow creation. From here James and his new friend explore his house, the lounge, the kitchen, parents bedroom, toy room and freezer before flying off to Snowland to meet some wintry friends.

Where the first half is made up of different scenes, the second half concentrates on Snowland and its inhabitants. The costumes and characters are adorable, woodland animals, Father Christmas’s reindeer and fluffy international snowmen. There is also a love triangle, beautifully portrayed with a tango style dance. The ability to dance fluidly in these costumes is stunning. James was beautifully performed with energy by Joe Sheridan, his enthusiasm for the role shining through.

Each scene is depicted with larger than life props and characters, a ballerina, solider, coconut, banana and a pineapple. All this adds to the childlike dream quality to the show. While there are no high-tech special effects in this production, they are not necessary as it adds to the charm of the production.

Using only dance and music, the show is accessible to all; the giggles from the many children in the audience proved that actions speak louder than words. This is perfect family entertainment, a step back to childhood for the adults and a magical journey for the children. It banishes the January blues and leaves you humming that well known theme with a smile on your face.

The Snowman continues at The REP until January 18.

– Annette Nuttall